About Us
A Firenze based company
Our key Features
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#1
Our Mission
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#2
Our Goals
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#3
Why Us?
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Firenze
The Tuscany's Jewel
For centuries, Florence has been the stage where the world’s most beautiful art found their voice. Florence Opera Show® offers a unique artistic experience, breaking down the barriers of the traditional stage to bring the power of Italy’s most brilliant voices directly to your table in an exclusive setting. Hosted by the Belcanto® ristorante, you will enjoy a menu designed exclusively for our guests. Each dish is a tribute to Tuscan tradition, crafted with regional ingredients and a mastery that rivals the excellence of Puccini or Verdi.
UNFORGETTABLE EVENING
Experience the modern Renaissance court in an intimate gathering where art is not only heard but also savored.
Come and be captivated! Come and toast! Come and experience Florence!
Serata Indimenticabile
Experience the modern Renaissance court in an intimate gathering where art is not only heard but also savored.
Come and be captivated! Come and toast! Come and experience Florence!
María Estela Pedraza
FOUNDER
Born in Mexico, is a dramatic soprano with a Master’s degree in Chamber Vocal Music from the Conservatory of Florence and extensive international training. Performs regularly as a soloist in concert repertoire ranging from German Lied to 20th-century composers such as Kurt Weill and Lili Boulanger.
Based in Italy, she collaborates with cultural institutions and has participated in productions linked to the Maggio Musicale Fiorentino. Alongside her performance career, she has been teaching vocal technique and modern singing since 2015, guiding students with a strong technical and expressive approach.
team
Our Singers
Giovanni Cervelli
tenor
Born in Viareggio, Italy, this tenor holds a formal background in vocal studies initiated at the Giuseppe Verdi Conservatory in Milan. His technical foundation is complemented by extensive professional experience as a soloist and former member of the Puccini Festival Chorus, ensuring a high level of mastery in the operatic repertoire and classical vocal performance standards.
His artistic career has been defined by significant roles in productions such as Giuseppe Verdi’s Requiem at Santa Maria Novella and performing Cavaradossi at the Francesco Stabile Theatre, along with collaborations with the Montecatini Opera Festival and Italian Opera Siena. Over the years, his work has earned him the opportunity to perform at prestigious international venues, including the Musikverein in Vienna, Buckingham Palace, and various gala concerts across Europe, demonstrating a proven ability to deliver high-impact performances.
Currently, his practice focuses on the exploration of the classical tenor repertoire as a permanent member of the “Puccini e la sua Lucca Festival.” With a professional track record of nearly 500 concerts as a soloist, his experience spans international tours and high-profile institutional events, consistently prioritizing the technical quality and aesthetic coherence that characterize his extensive portfolio within the global opera scene.
Tommaso Alfaroli
tenor
Born in Bulgaria and based in Italy, this concert performer and educator holds advanced degrees in Singing and Music Teaching from the P. Mascagni Conservatory and in Singing and Instrument Teaching from the L. Cherubini Conservatory. His specialized training includes a certification as an Academic Tutor for DSA and expertise in the Estill Voice Craft method, ensuring a highly technical and pedagogical approach to vocal performance and neurodevelopmental music education.
His artistic career is highlighted by his debut as Nemorino in L’elisir d’amore and collaborations with renowned institutions such as Teatro Goldoni, Teatro Verdi, and the Florence Opera Show. He has been recognized with prestigious honors, including the “Best Luciano Neroni Voice” at the 10th Luciano Neroni International Competition and the “Excellence in Ancient Music” award at the Altamura/Caruso International Competition, validating his versatility across operatic and historical repertoires.
Currently, he serves as a Contract Professor at the Pegaso Telematic University and maintains an active presence in the international scene, recently serving as a jury member for the “Young Singers of Italy” competition and appearing on Rai 1. His professional practice integrates high-level performance with academic research, and as a soloist in major Italian theaters and festivals.
Isabella Messinese
soprano
Born in Prato, Italy, this multifaceted musician holds degrees in Musical Studies, Music Education, and as a répétiteur and assistant conductor from the “L. Cherubini” Conservatory of Music in Florence, graduating with top honors. His technical foundation is bolstered by piano specialization under masters such as Maurizio Pollini and Aldo Ciccolini, as well as advanced studies in orchestral conducting from the Escuela de Dirección de Orquesta y Banda in Spain, ensuring a comprehensive mastery of both performance and leadership.
His artistic career is distinguished by his role as the founding and artistic director of the “Vox Artis” choir and symphony orchestra, alongside a prolific output as a solo pianist and chamber musician. He is also an accomplished author, notably of the bestseller “The Song of Violetta” and several co-authored volumes on orchestral conducting, which have achieved significant commercial success and validate his deep analytical understanding of the operatic and symphonic repertoire.
With a professional trajectory that spans international concert stages and academic publication, he continues to lead high-level musical ensembles while contributing to the field through his research and teaching, characterized by a synthesis of rigorous classical training and modern artistic direction.
Letizia Cappellini
soprano
Born in Pisa, Italy, this soprano holds a degree in Operatic Singing with honors from the Luigi Boccherini Conservatory of Lucca. Her technical development is supported by advanced studies under Maestro Sherman Lowe and specialized masterclasses with legendary figures such as Katia Ricciarelli and Rolando Panerai, ensuring a versatile mastery of repertoire ranging from coloratura to lyric soprano roles.
Her artistic career is marked by performances at prestigious venues and festivals, including the Teatro del Giglio and the Amici del Loggione del Teatro alla Scala. She has portrayed key operatic roles such as Gilda in Rigoletto, Musetta in La Bohème, and Adina in L’elisir d’amore, while also excelling in sacred works by Mozart and Vivaldi. Her professional excellence has been recognized with multiple accolades, such as the “Ezio Ricci” Scholarship and the Critics’ Award at the “Primo Piano Live and Song” competition.
Currently, her practice focuses on regular collaborations with prominent organizations like Italian Opera Siena and the Vernazza Opera Festival. Beyond the stage, she maintains an active role as a choir director and vocal coach, integrating her extensive performance experience with music education and outreach, consistently upholding the high technical and aesthetic standards of the Italian operatic tradition.
Fabrizio Pique'
Baritone
Born in Italy, this baritone and conductor holds a degree from the “Giacomo Puccini” Conservatory and has pursued extensive advanced training in orchestral conducting at the Escuela de Dirección de Orquesta y Banda in Spain. His technical background is exceptionally diverse, combining vocal training with high-level piano studies under masters such as Maurizio Pollini and Aldo Ciccolini, as well as certifications in composition and choral conducting.
His artistic career includes a debut as Alcindoro in La Bohème and participation in the Opera Festival Choir at the Boboli Gardens, alongside a prolific output as a solo pianist and chamber musician. He is a recognized author within the musical community, having published the bestseller “The Song of Violetta” and co-authored several highly-regarded volumes on orchestral conducting, demonstrating a profound analytical approach to the classical and operatic repertoire.
Currently, he serves as the founding and artistic director of the “Vox Artis” choir and symphony orchestra, where he integrates his skills as a conductor, performer, and educator. His professional practice is characterized by a balance of stage performance and academic contribution, maintaining an active presence in international concert halls while leading ensembles through a synthesis of rigorous technical standards and contemporary artistic vision.
Leonardo Laurini
singer
Born in Prato, Italy, this distinguished musician holds degrees in Musical Studies, Music Education, and as a répétiteur and assistant conductor from the “L. Cherubini” Conservatory of Music in Florence, graduating with top honors. His technical foundation is bolstered by piano specialization under masters such as Maurizio Pollini and Aldo Ciccolini, as well as advanced training in orchestral conducting from the Escuela de Dirección de Orquesta y Banda in Spain, ensuring a comprehensive mastery of performance and musical leadership.
His artistic career is highlighted by his role as the founding and artistic director of the “Vox Artis” choir and symphony orchestra, alongside extensive work as a solo pianist and chamber musician. He is also a successful author, notably of the bestseller “The Song of Violetta” and several technical volumes on orchestral conducting, which have achieved significant commercial and academic recognition, validating his deep analytical expertise in the operatic and symphonic genres.
Currently, his practice integrates performance, composition, and pedagogy, maintaining a dual focus on conducting and specialized music education. With a professional trajectory that spans international concert stages and best-selling publications, he continues to lead high-level ensembles while contributing to the field through his research and creative direction, characterized by a synthesis of rigorous classical tradition and contemporary artistic management.
Lorenzo Fiorentini
Pianist
Born in Bagno a Ripoli, Italy, this versatile pianist and composer holds a Master’s Degree in Jazz Piano and a Bachelor’s Degree in Classical Piano with honors from the Luigi Cherubini Conservatory. Currently pursuing a Master’s in Musicology at the University of Rome Tor Vergata, his technical foundation is further strengthened by advanced studies in composition and conducting at the Scuola di Musica di Fiesole and Siena Jazz University, ensuring a professional command over diverse musical genres and academic research.
His artistic career is distinguished by collaborations with premier ensembles such as the Orchestra della Toscana and the Teatro del Maggio Musicale Fiorentino, as well as performances at international venues like Umbria Jazz, Expo Dubai, and the Auditorium Parco della Musica. Recognized for his creative excellence, he has been awarded First Prize at the Eddie Lang Jazz Festival and the Maggio Musicale Fiorentino Prize, demonstrating a proven ability to bridge the gap between performance, orchestral arrangement, and contemporary composition.
As a registered professional with SIAE and Nuovo IMAE, he balances his work as a soloist and ensemble pianist with a deep commitment to music education and digital production. His trajectory is defined by a synthesis of jazz improvisation, classical rigor, and cross-media expertise, maintaining a consistent focus on the technical quality and aesthetic innovation that characterize his role in the modern music scene.
Debora Vincenti
Soprano
Born in Florence, Italy, this soprano began her professional vocal training under the guidance of Fernanda Piccini and later specialized at the Accademia Musicale Alta Valdera. Her technical foundation is reinforced by advanced masterclasses with esteemed figures such as Laura Brioli and Maria Billeri, alongside extensive experience within premier choral institutions like the Teatro Goldoni of Livorno and the Ars Lyrica choir, ensuring a high level of mastery in the Italian operatic tradition and vocal performance standards.
Her artistic career is distinguished by a prolific trajectory as a soloist and chorus member in major venues, including the Puccini Festival in Torre del Lago and the Arena di Verona. Notable roles include Violetta in La Traviata and Suor Genovieffa in Suor Angelica, with performances at international landmarks such as the Musikverein in Vienna and Buckingham Palace. Her excellence has been recognized with the First Prize at the “Santa Gianna Beretta Molla” International Opera Competition, validating her technical precision and stage presence.
Currently, her practice focuses on collaborations with Italian Opera in Siena and the Maggio Musicale Fiorentino Foundation. With a career spanning over three decades and numerous international tours, she maintains an active presence in the global opera scene, consistently delivering high-quality performances that bridge the gap between historical choral expertise and contemporary solo artistry within the works of Verdi, Puccini, and Vivaldi.
Misha Pavlov
tenor
Born in Saint Petersburg, Russia, this tenor holds a Master of Music in Opera and Performance from the Royal Conservatoire of Scotland, as well as a Bachelor of Vocal Studies from the Rimsky-Korsakov Saint Petersburg Conservatoire. His technical development is supported by elite international training and prestigious scholarships, ensuring a professional command over a diverse repertoire that ranges from Mozart to contemporary composers like Britten and Janáček.
His artistic career is defined by leading and supporting roles at institutions such as the Royal Scottish Opera and the Edinburgh Festival Theatre, alongside appearances with the BBC Scottish Orchestra. Recognized for his vocal excellence, he has been awarded First Prize at the Ye Cronies RCS and is a laureate of the Elena Obraztsova Young Opera Singers Competition, demonstrating a proven ability to deliver high-impact performances on major stages across the UK, Russia, and Europe.
Currently, his practice focuses on international collaborations as a freelance guest performer, with a trajectory that includes notable productions at the Loughborough Opera Festival and the Clonter Opera. With a career spanning over a decade of stage experience, he consistently prioritizes the technical precision and conceptual depth required for both staged opera and concert programs, maintaining an active and distinguished presence within the global classical music scene.
Piermaria Piccini
tenor
Born in Poggibonsi, Italy, this bass and multi-instrumentalist graduated in Trumpet from the P. Mascagni Conservatory in Livorno before specializing in operatic performance under the guidance of Fernanda Piccini. He further refined his vocal and technical expertise at the Civic School Abbado of Milan under the tutelage of masters Luca Gorla and Paolo Raffo, ensuring a professional foundation that spans both classical brass and traditional operatic vocal standards.
His artistic career has been marked by several years of dedication to the operatic stage, performing both as a member of professional choruses in various Italian theaters and as a soloist. This extensive experience in the classical world has provided him with a deep understanding of vocal arrangement and dramatic structure, which he has recently transitioned into contemporary creative ventures, demonstrating a proven ability to bridge traditional training with experimental composition.
Currently, his practice focuses on the leadership of his dark folk project, “Nátt Berkano,” inspired by Nordic cultural themes. In this role, he serves as the primary composer, lyricist, and arranger, integrating his classical background with modern folk textures. With the upcoming 2025 release of his first album, “Myrkvi,” his professional trajectory continues to evolve, maintaining a commitment to high-level musical production and a unique aesthetic vision that spans across streaming and physical formats.
Olha Smokolina
Soprano
Born in Ukraine, this soprano holds both a Bachelor’s and Master’s degree in opera singing, choir performance, and vocal teaching from the Kharkiv University of Arts. Her technical foundation is further enriched by international specialization through programs in Spain and Italy, including her participation in the prestigious Young Artist Program at the Maggio Musicale Fiorentino, ensuring a professional mastery of the Italian operatic tradition and pedagogical standards.
Her artistic career is marked by a versatile repertoire, performing roles such as Zulma in L’italiana in Algeri, Annina in La Traviata, and Mimì in La Bohème. She has collaborated with renowned conductors and directors across Europe, notably touring extensively with the Venti Lucenti theater company and performing in major productions of works by Verdi, Puccini, and Rossini, which has solidified her reputation for strong stage presence and vocal flexibility.
Currently, her practice focuses on leading roles such as Liù in Turandot and participation in contemporary operatic works. Maintaining an active international concert schedule through 2025, she consistently prioritizes the technical quality and emotional depth required for both classical and modern repertoire, continuing her artistic growth as a prominent soloist in the European opera scene.
Alessandro Pegoraro
TENOR
Born in Italy, this tenor developed his technical foundation through piano studies at the Michelangelo Paoli School of Music and composition at the CAM in Prato, followed by rigorous vocal specialization under masters such as Paride Venturi and Angelo Rossi. His background is uniquely characterized by a focus on both vocal technique and stage performance, ensuring a professional mastery of diverse genres ranging from classical opera to the specific technical demands of operetta and musical comedy.
His artistic career is defined by a prolific output in the operetta scene, performing leading roles such as Count Danilo in The Merry Widow and Hans in The Country of the Bells with the Florentine Company of Operettas. In addition to his stage work, he has established a long-standing artistic partnership with soprano Anna Ugolini, performing a vast repertoire that includes Neapolitan songs, Baroque arias, and film scores, demonstrating a proven ability to adapt his vocal style to various historical and contemporary musical contexts.
Currently, his practice integrates high-level performance with a strong commitment to pedagogy, teaching vocal technique and opera singing at his private studio and the Giulio Gulls Academy. Notably, he specializes in music education for people with disabilities, collaborating with various associations throughout Tuscany. His professional trajectory continues with the preservation of the Italian vocal heritage across both sacred and secular repertoires.
Gabriele Bonci
Pianist
Born in Italy, this pianist and organist holds a formal background in musical studies initiated at the “A. Passaglia” Music High School in Lucca. He graduated with honors from the “L. Boccherini” Conservatory under the guidance of Giorgio Fazzi, subsequently expanding his technical foundation through specialized organ studies at the “G. Puccini” Conservatory in La Spezia. His training is further distinguished by numerous masterclasses with renowned masters such as Roberto Prosseda and Ludger Lohmann, and his selection for the multidisciplinary artistic program “Daedalus” in Florence, ensuring a high level of mastery in both keyboard performance and musicological research.
His artistic career has been defined by his role as the titular organist of the Pescia Cathedral and significant contributions to the broadcast industry as a musical consultant for RAI5 programs, including “Pietrasanta in concerto” and “Ut Musica.” Throughout his professional trajectory, he has maintained a consistent concert schedule as both a pianist and organist for various national institutions. His commitment to cultural diffusion is also demonstrated through his monthly musicological lectures at the Fondazione POMA Liberatutti, showcasing a proven ability to bridge high-level performance with academic insight.
Currently, his practice focuses on the intersection of performance and scholarship as a doctoral candidate in musical historiography and philology at the “L. Boccherini” Conservatory. His ongoing work spans concert tours and institutional collaborations, consistently prioritizing the technical quality and historical rigor that characterize his multifaceted portfolio within the classical music scene.
30% DISCOUNT
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